Category: is-featured

Gone Fishin’…..

Film critic Shawn Levy is taking time off to write a book. Until he returns, movie reviews will be handled by able film writers Marc Mohan, Stan Hall and Mike Russell.

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Friends, I am off on a voyage of discovery, researching and writing a book, chasing into the unknown with only my gumption to guide me.

Until then, I leave the film department of The Oregonian in the hands of my fellow film writers Marc Mohan, Stan Hall, and Mike Russell and a cadre of fabulous editors.

You are in good hands.

Until we meet again, then....

Steve McQueen and William Friedkin: missed connection?

The director of "The French Connection" and the star of "Bullitt" never quite made a film together.

Mcqueen driving.jpgThe one that got away: Steve McQueen
I had a chance the other day to speak with director William Friedkin in anticipation of the Portland release of his blistering, darkly comic drama "Killer Joe."  Friedkin is a vigorous 76 years old and discourses at length when asked a question, which makes for great copy. 

He was also very generous with his time, which meant I could as some questions that weren't specifically pertinent to the purpose of selling tickets to his new film.

So given the chance to chat at length, I asked him something that I'd wondered about in the past.  Back in his directorial heyday in the 1970s, Friedkin worked with such leading men as Gene Hackman, ("The French Connection"), Al Pacino ("Cruising") and Roy Scheider ("Sorcerer") but never Robert De Niro, who was, arguably, the dominant American actor of that moment and in many regards an archtypical Friedkin leading man.  What I was wondering was why the two had never worked together and if they'd ever missed an opportunity to do so.

friedkin.jpgWilliam Friedkin
And here's what Friedkin told me:

In the '70s I only made, like, three films, and if we talk about them -- "The French Connection," "The Exorcist," "Sorcerer" and, later, "Cruising." That had Al Pacino. It could've been De Niro. I liked his work in the '70s very much, but I only made those few films and they took up every day of my life! I would love to have worked with De Niro back then, without a doubt. It's not simply that you like an actor; you have to have a role for that particular actor. And I simply didn't do that many films. The guy I really wanted to work with other than anyone was Steve McQueen, and I almost did on "Sorcerer," but for a variety of reasons we couldn't get together. The script was written for him.

In fact, quick research confirms that McQueen was in extended talks with Friedkin about the film -- a remake of the Georges Cluzot drama "The Wages of Fear" about a truck convoy carrying wet dynamite through a jungle.  Why didn't it happen?  It came down to the simplest of matters:  Friedkin and Paramount Pictures insisted on shooting the film on location in the Dominican Republic and McQueen, newly married to Ali MacGraw, didn't want to spend extended time away from home. 

I am reminded that De Niro turned down key roles in Martin Scorsese's "The Last Temptation of Christ" and "Gangs of New York" for similar reasons, and that on such small decisions, film history is made.

(Look for a complete interview with Friedkin in The Oregonian on Sunday August 26; "Killer Joe" opens in Portland on August 31.)


Summer nights were made for movies — outdoor movies, that is

There are still plenty of great movies-under-the-stars nights ahead, including the annual "Top Down" festival.

top Down.jpgView full sizeA typical night of "Top Down: Rooftop Cinema"
One reason moviegoing is such a popular summer activity is surely....air-conditioning.  Among the best ways to beat the heat of the season is to sit still in a chilled, dark space and distract yourself from the experience of having a body that’s subject to the discomforts of weather.

But summertime is prime outdoor time, too, and, increasingly, people are finding that another fine way to enjoy the season is to watch a movie under the stars on one of Portland’s perfectly-pitched summer nights.  Each year, more and more opportunities to screen films outdoors emerge, turning Portland’s parks -- and a least one parking garage -- into seasonal movie houses.

This week, the Northwest Film Center launches its annual “Top Down: Rooftop Cinema” series, a collection of six feature films shown on the rooftop of the Hotel deLuxe parking structure at SW 15th and Yamhill when the night gets dark enough for proper viewing.  The first film in this year’s line up is a treat:  “The Palm Beach Story,” Preston Sturges’ delicious 1942 screwball romance starring Joel McCrea and Claudette Colbert as two sets of identical twins on the marital make.  It plays on Thursday, July 26, and it’s a joy.

The subsequent weeks of “Top Down” are as diverse and appealing as possible: a Don Knotts comedy (“The Ghost and Mr. Chicken,” August 2), a drag queen musical (“Hedwig and the Angry Inch,” August 9), a wild zombie movie (“Dead Alive,” August 16), a tale of Portland banditry (“Drugstore Cowboy,” August 23), and a time capsule of 1960s rock and soul music (“The T. A. M. I. Show,” August 30).  

Doors for all “Top Down” shows open at 7:00 p.m., with live entertainment before the screening and food and drinks available for purchase.  You’re encouraged to bring a blanket or low chair to sit on, but no coolers or outside treats are permitted. (Complete information)

There are plenty of other films to see outdoors in what’s left of the summer, and there’s probably one right in your neighborhood, too.  Portland Parks and Recreation is in the midst of its annual “Movies in the Park” program, bringing a diverse roster of films to every portion of the city.  

Many of the PPR films are, of course, specifically geared to kids, and among the most enticing are “Toy Story 3” (July 28, Wilshire Park), “The Goonies” (July 29, Lents Park), “Akeelah and the Bee” (August 18, Warner Pacific College), the 1971 “Willie Wonka and the Chocolate Factory” (August 31, Dawson Park), “The Adventures of Tintin” (August 31, Mt. Scott Park), and “Pee Wee’s Big Adventure” (September 8, Wallace Park).  Two Oscar-winning family-friendly films from 2011 will get multiple screenings:  “Hugo” (August 17, Irving Park; August 24, Laurelhurst Park; September 7, Multnomah Arts Center) and “The Muppets” (August 5, Sellwood Park; August 9, Caruthers Park; August 10, St. Johns Park).

But there’s also a wide variety of fare that will appeal to grown-ups who are neither accompanied by children nor channeling their children-within.  These include “Pretty in Pink” (July 26, DeWitt Park), “Citizen Kane” (August 3, Laurelhurst Park), “Moneyball” (August 7, Peninsula Park), and “Funny Face” (September 7, Director Park).  Amid all these choices, two shows stand out in particular:  Ed Wood’s confounding masterwork “Plan 9 from Outer Space” (August 12, Washington Park) and the 1971 Japanese monster movie “Gamera vs. Zigra” (August 25, Sewallcrest Park), both of which will be presented with live musical accompaniment by the Filmusik ensemble.

Admission to all PPR movies is free.  The evenings begin at 6:30 p.m. with pre-movie entertainment, and screenings start at dark.  (Full list of all “Movies in the Park” titles and additional information)

Another venue for outdoor movies is Portland’s Pioneer Courthouse Square, where free films screen on Friday nights.  The 1984 version of “The Karate Kid” launches the series on July 27, followed by “Clueless” (August 3), “A League of Their Own” (August 10) and “E. T.: The Extra-Terrestrial” (August 17). (Complete information)

The movies-under-the-stars fun isn’t limited to Portland.  In Lake Oswego, Millennium Park Plaza will host free screenings Thursdays at dusk through August 30.  Titles include “Tangled” (August 2) and “How to Train Your Dragon” (August 16).  (Complete information)

In Beaverton, Friday is free movie night, Beaverton City Park is the place, and the film menu includes “Up” (August 3), “Grease” (August 10) and “The Goonies” (August 17).  (Complete information)

Vancouver, too, offers free Friday night movies.  The venue is LeRoy Haagen Memorial Community Park and the features are “Pirates of the Caribbean: On Stranger Tides” (July 27) and “E. T.” (August 3). (Complete information)  


Retro-a-gogo: classic films on Portland screens, July 20 – 26

The coming week's menu of revival movies in Portland theaters.

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"Amelie" The great, swoony French romance that launched Audrey Tautou. (Academy, all week)

"Cabaret" Bob Fosse's Oscar-winning film of the classic musical. (Clackamas Town Center, Wednesday July 25 only)

"The Cockettes"
The glorious 2002 documentary about hippy drag queens in the San Francisco '60s. (Clinton Street Theater, Saturday only)

"Dirty Dancing" Swayze and Grey 4EVA! (Hollywood Theatre, Saturday only)

"The Palm Beach Story" The great 1942 screwball comedy about two pairs of identical twins (played by Joel McRae and Claudette Colbert) opens the annual "Top Down: Rooftop Cinema" series. (Northwest Film Center, Thursday only)

"Possession" Original director's cut of Andrzej Zulawski's 1981 psychological marital drama starring Isabel Adjani and Sam Neill. (Hollywood Theatre, Saturday and Sunday only)

"Showgirls" Paul Verhoeven and Joe Eszterhas transformed "All About Eve" to a tale of exotic dancers on the Vegas strip; now you can lampoon it in Hecklevision. (Hollywood Theatre, Friday only)

"Sunset Blvd." The timeless Billy Wilder film about decadence and fame in Hollywood, with William Holden and Gloria Swanson. (5th Avenue Cinemas, Friday through Sunday only)

"Three Days of the Condor"
Robert Redford is a CIA clerk uncovering deadly secrets. (Laurelhurst, all week)

"Twilight" The clever rascals of Master Pancake Theater, a comedy troupe from Austin, TX, eviscerates Bella and the boys live. (Cinema 21, Friday and Saturday only)

QDocs, "Plymptoons" and EFF Portland make for a busy week of film festivals

A diversity of film events turn up at once, making for a rich and hectic week.

Vito.jpgVito Russo from "Vito" at QDocs
The weather may be hollering, ‘get outside,’ but Portland filmlovers have ample reason to head for the great indoors in the coming week.

Two festivals of note and a barnstorming film tour highlight a truly eclectic crop of movie choices, and we’ve got the skinny on all three.


QDoc
(by Grant Butler)

Portland’s Queer Documentary Film Festival, kicked off at McMenamins Kennedy School on Thursday night with “Wish Me Away,” about country singer Chely Wright, followed by a big party at downtown’s new restaurant Corazon. But the festival kicks into high gear today, with screenings of 11 additional films being held Friday through Sunday. Here are five of the standouts:

“King of Comics”
  German cartoonist Ralf König has been shocking and entertaining readers since the 1980s with his graphic and often hilarious comic books “Gay Comix.” His drawing style is reminiscent of R. Crumb, with a touch of delicious crude humor. This portrait of the artist shows him giving a hilarious reading of some of his best stories, intermixed with a melancholy look at his life, which has involved broken relationships and loneliness, showing there can be tears behind the laughter. This is a 21-and-over screening. (9 p.m. Friday; 80 minutes; Germany) B+

“Question One” 
President Obama’s endorsement of same-sex marriage earlier this month is just the latest chapter in the ongoing debate over marriage equality, and this documentary offers an even-handed look at the emotions on both sides of the issue. In 2009, Maine’s state legislature approved same-sex marriage, prompting a constitutional ballot battle that ended with voters overturning the right to marry by a significant margin. Filmmakers Joe Fox and James Nubile follow both gay activists fighting the ballot measure, as well as Christian supporters and ministers who believe that marriage can only be defined as between a man and a woman. The film captures the complex thoughts and concerns of people on both sides of the referendum — no easy task. The filmmakers and one of their subjects, Darlene Huntress, will be in attendance. (6 p.m. Saturday; 113 minutes; United States) A

“This Is What Love In Action Looks Like” Gay-conversion therapy is one of the most-controversial practices by some churches today. It prompted a national firestorm in 2005 when a Tennessee program called Love In Action became the focal-point of protests after a 16-year-old gay boy was forced into the program by his parents against his wishes. Memphis bloggers and activists began protesting outside the treatment facility, eventually getting the attention of national TV news, leading to the eventual dissolution of the program. This film asks questions about the intersection of Christian faith and free will, and whether any gay-conversion programs have any merit — not just those directed at teens. Director Morgan Jon Fox will be in attendance. (11:30 a.m. Sunday; 70 minutes; United States) B+

“Love Free or Die” 
Gene Robinson made international news when he was made a bishop of the Episcopal Church in New Hampshire in 2003, prompting the Anglican Church to ban him from its 10-year conference of bishops five years later. But Robinson went to England anyway, shadowing the conference with speeches at a handful of churches that dared to invite him to preach. The portrait shows how Robinson’s efforts to get the Episcopal Church to recognize same-sex marriage and the role that gays and lesbians have in the clergy is fleshed out with snapshots of his homelife, including his own marriage to his longtime partner when it became legal in New Hampshire. Director Macky Alston will be in attendance. (4 p.m. Sunday; 82 minutes; United States) A-

“Vito”  Gay film historian Vito Russo helped show the dismal way that Hollywood has treated gays and lesbians on film with his landmark book “The Celluloid Closet” and his live presentations in the 1980s that showed hundreds of examples of homophobia on film. But Russo was more than a scholar, becoming an outspoken activist in the early years of the AIDS crisis, before the disease cut his own life short. Interviews with family, friends, and archival interviews with Russo create a full portrait of someone who loved cinema, and wanted to see gays and lesbians depicted fairly in the medium. Director Jeffrey Schwarz will be in attendance. (7 p.m. Sunday; 93 minutes; United States) A

Full ticket and program information


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The Great Northwest Film Tour
(by Shawn Levy)

The Oscar-nominated cartoonist Bill Plympton is, of course, a native son of Oregon, so it’s only right and proper that he bring a film about his life and art to his home state.  And by that you can take it to mean the whole state -- or as much of it as hosts a McMenamins brewpub movie theater.

“Adventures in Plymptoons,”
directed by Alexia Anastasio and featuring interviews with a great many of Plympton’s peers and chums, both local and national, will play at no fewer eight of the McMenamin brothers’ theaters in a span of nine days.  And Plympton and Anastasio will be on hand throughout the event to discuss their project.  

The tour, which has been mounted by the Oregon Media Production Association trade group, begins on Saturday at the Mission Theater in Portland, followed by screenings at the Old St. Francis School in Bend (Sunday), the Kennedy School in Portland (Tuesday), the Grand Lodge in Forest Grove (Wednesday), the Olympic Club in Centralia, Washington (Thursday), the Edgefield Powerstation in Troutdale (Friday, May 25), the Bagdad Theater in Portland (Saturday, May 26) and the St. Johns Theater in Portland (Sunday, May 27).

Saturday’s event is being billed as an “Industry Premiere,” with many of Portland’s famed animators and filmmakers expected to attend.  And the next-to-last show, on May 26, is a gala fundraiser for the OMPA, with musical performer Weird Al Yankovic  adding to the festivities.

Full ticket and schedule information


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Experimental Film Festival Portland
(by Shawn Levy)

It’s been a few years since Peripheral Produce has held one of its seminal PDX Film Fests, and that hasn’t been because there’s been a lack of new experimental film projects created in this most creative of towns.  Rather, PDX Fest honcho Matt McCormick has been working busily films of his own and simply hasn’t been up to the heavy task.

With the thought that it would take a whole collective of people to replace McCormick and his team, the filmmakers in the group called Grand Detour have combined their talents to mount a new festival dedicated to film on the margins.  Experimental Film Festival Portland (or, cheekily, EFF Portland) will run from Tuesday, May 22 through Sunday, May 27, with premieres of new works from, among many others, Portlanders Vanessa Renwick, Pam Minty, and Karl Lind.

The several programs, comprising dozens of films in all, bear names like “Eruption,” “Mycology” and “Magma Flow” and screen at various locations around town.  It all climaxes on May 27 with the Dill Pickle Club history group hosting a symposium on experimental film at the Clinton Street Theater,featuring new work from McCormick, Brooke Jacobson and Jim Blashfield, and, later in the day, the premiere of Renwick’s new film, “Charismatic Megafauna,” presented at the Hollywood Theatre with live musical score.

Full ticket and schedule information


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