Category: bully

This week’s last-chance movies: ‘Bully,’ ‘Damsels in Distress,’ ‘Marley,’ and more

Catch 'em while you can!

Bully.jpgfrom "Bully"
For some reason, we've got one of the busiest movie weeks of the year about to hit Portland:  almost 20 feature films and 8 new or continuing festivals or special events.  So it's no wonder that the local movie screens need to get out the broom and sweep clean.  Thing is, they're sweeping out some very good films in the process.  Wednesday and Thursday mark your last chances to see the well-worthwhile "Bully," "Damsels in Distress," "The Kid with a Bike," "Marley" and "The Salt of Life," as well as the locally-made indie "Blue Like Jazz" and the action film "Safe House."  Choose accordingly and get watching!

Levy’s High Five, May 11 – 17

The five films playing in Portland-area theaters that I'd soonest see again.

The Deep Blue Sea window.jpgRachel Weisz and Tom Hiddleston in "The Deep Blue Sea"
1) “The Deep Blue Sea” Terence Davies is the finest director you’ve likely never heard of, probably because his best films -- the quiet, devastating semi-autobiographical “Distant Voices, Still Lives” and “The Long Day Closes” -- were made more than two decades ago and he’s only had one film (“The House of Mirth,” an anomaly, really) get even a modest release since.  Here, adapting Terence Rattigan’s 1952 play about a passionate woman (Rachel Weisz), her stodgy husband (Simon Russell Beale) and her unreliable lover (Tom Hiddleston), his immense, inimitable gifts for image-making and, especially, turning film into something like music are in full power.  The effect is sometimes funny, sometimes dramatic, sometimes absolutely ravishing.  Davies is a master, and this is his most accessible film.  See it.  Living Room Theaters

2) “The Raid: Redemption” An ultra-violent, wildly kinetic martial arts film that virtually strips itself of the narrative conventions of plot, theme and characterization to create a white-knuckle thrill ride.  Writer-director Gareth Evans, a Welshman living in Indonesia, takes the simplest story -- a squad of cops attacks a Jakarta apartment house where a crime lord is ensconced -- and uses it to string together wild action sequences that leave the viewer as exhausted as if he or she had fought them.  His stars -- Iko Uwais as a baby-faced cop and Yayan Ruhian (who also choreographed) as a stringy-haired bad guy -- are dazzling.  The whole thing is pure cinema: the human body rendered as a machine capable of mayhem, daring, and, yes, grace. Academy, Laurelhurst

3) “Bully” An emotionally overwhelming documentary about threads of violence in our social fabric.  Focusing on five or children who’ve been tormented and abused by schoolmates, two so relentlessly that they took their own lives, documentarian Lee Hirsch advocates without the use of any talking heads, statistics or editorial posturing.  Rather, his film actually depicts everyday acts of bullying and -- worse -- the ineffective and even hurtful responses of school authorities.  At times, the pity, outrage and empathy the evokes threaten to drown you.  But there’s a hint of light, too.  At moments you might feel slightly manipulated.  But when you look into the eyes of two fathers whose sons killed themselves rather than continue to be bullied, quibbles about journalist practice vanish from your mind. Fox Tower

4) “Jiro Dreams of Sushi”  Jiro Ono is the owner of a Tokyo sushi bar with 10 seats and 3 Michelin stars, and David Gelb’s gorgeous and intimate documentary about the man and his obsession gives you an idea of how that can not only be so but be fitting.  Jiro and his two sons (bound to the chef’s apron strings, almost literally) devote untold hours of work and thought to the perfection of sushi-making, turning a sometimes makework form of cookery into indisputably high art.  At 85, the old master still works virtually every day, and the fruit of his focus is in servings of raw fish and warm rice photographed so lusciously that you can almost taste them.  A mouthwatering film:  literally.  Laurelhurst, Living Room Theaters

5) "The Cabin in the Woods" A slasher movie inside a horror movie of another sort inside yet another narrative, one which looks out and the audience and asks why they (that is, we) keep lining up to watch other people get slaughtered.  A group of college students head to the titular location for a weekend’s bacchanal, only to be preyed upon and killed in grisly fashion, as per the familiar genre rules.  At the same time, a group of bureaucrats/scientists in a control room manipulate the victims and their killers in the service of...something.  Director Drew Goddard and his co-writer Joss Whedon have fun in the vein of “Scream” and in the vein of “The Truman Show” -- and they come up with an intriguing theory to explain the allure of horror films as well as a (literal) hell of a climax. Bloody, funny, clever. multiple locations




Levy’s High Five, May 4 – 10

The five films playing in Portland-area theaters that I'd soonest see again.

The Deep Blue Sea pub.jpgTom Hiddleston and Rachel Weisz in "The Deep Blue Sea"
1) “The Deep Blue Sea” Terence Davies is the finest director you’ve likely never heard of, probably because his best films -- the quiet, devastating semi-autobiographical “Distant Voices, Still Lives” and “The Long Day Closes” -- were made more than two decades ago and he’s only had one film (“The House of Mirth,” an anomaly, really) get even a modest release since.  Here, adapting Terence Rattigan’s 1952 play about a passionate woman (Rachel Weisz), her stodgy husband (Simon Russell Beale) and her unreliable lover (Tom Hiddleston), his immense, inimitable gifts for image-making and, especially, turning film into something like music are in full power.  The effect is sometimes funny, sometimes dramatic, sometimes absolutely ravishing.  Davies is a master, and this is his most accessible film.  See it.  Cinema 21

2) “The Raid: Redemption” An ultra-violent, wildly kinetic martial arts film that virtually strips itself of the narrative conventions of plot, theme and characterization to create a white-knuckle thrill ride.  Writer-director Gareth Evans, a Welshman living in Indonesia, takes the simplest story -- a squad of cops attacks a Jakarta apartment house where a crime lord is ensconced -- and uses it to string together wild action sequences that leave the viewer as exhausted as if he or she had fought them.  His stars -- Iko Uwais as a baby-faced cop and Yayan Ruhian (who also choreographed) as a stringy-haired bad guy -- are dazzling.  The whole thing is pure cinema: the human body rendered as a machine capable of mayhem, daring, and, yes, grace. Academy, Laurelhurst

3) “Bully” An emotionally overwhelming documentary about threads of violence in our social fabric.  Focusing on five or children who’ve been tormented and abused by schoolmates, two so relentlessly that they took their own lives, documentarian Lee Hirsch advocates without the use of any talking heads, statistics or editorial posturing.  Rather, his film actually depicts everyday acts of bullying and -- worse -- the ineffective and even hurtful responses of school authorities.  At times, the pity, outrage and empathy the evokes threaten to drown you.  But there’s a hint of light, too.  At moments you might feel slightly manipulated.  But when you look into the eyes of two fathers whose sons killed themselves rather than continue to be bullied, quibbles about journalist practice vanish from your mind. Fox Tower

4) “Jiro Dreams of Sushi”  Jiro Ono is the owner of a Tokyo sushi bar with 10 seats and 3 Michelin stars, and David Gelb’s gorgeous and intimate documentary about the man and his obsession gives you an idea of how that can not only be so but be fitting.  Jiro and his two sons (bound to the chef’s apron strings, almost literally) devote untold hours of work and thought to the perfection of sushi-making, turning a sometimes makework form of cookery into indisputably high art.  At 85, the old master still works virtually every day, and the fruit of his focus is in servings of raw fish and warm rice photographed so lusciously that you can almost taste them.  A mouthwatering film:  literally.  Hollywood Theatre, Living Room Theaters

5) "The Cabin in the Woods" A slasher movie inside a horror movie of another sort inside yet another narrative, one which looks out and the audience and asks why they (that is, we) keep lining up to watch other people get slaughtered.  A group of college students head to the titular location for a weekend’s bacchanal, only to be preyed upon and killed in grisly fashion, as per the familiar genre rules.  At the same time, a group of bureaucrats/scientists in a control room manipulate the victims and their killers in the service of...something.  Director Drew Goddard and his co-writer Joss Whedon have fun in the vein of “Scream” and in the vein of “The Truman Show” -- and they come up with an intriguing theory to explain the allure of horror films as well as a (literal) hell of a climax. Bloody, funny, clever. multiple locations



Levy’s High Five, April 27 – May 3

The five films playing in Portland-area theaters that I'd soonest see again.

The Deep Blue Sea window.jpg Rachel Weisz and Tom Hiddleston in "The Deep Blue Sea"
1) “The Deep Blue Sea” Terence Davies is the finest director you’ve likely never heard of, probably because his best films -- the quiet, devastating semi-autobiographical “Distant Voices, Still Lives” and “The Long Day Closes” -- were made more than two decades ago and he’s only had one film (“The House of Mirth,” an anomaly, really) get even a modest release since.  Here, adapting Terence Rattigan’s 1952 play about a passionate woman (Rachel Weisz), her stodgy husband (Simon Russell Beale) and her unreliable lover (Tom Hiddleston), his immense, inimitable gifts for image-making and, especially, turning film into something like music are in full power.  The effect is sometimes funny, sometimes dramatic, sometimes absolutely ravishing.  Davies is a master, and this is his most accessible film.  See it.  Cinema 21

2) “Bully” An emotionally overwhelming documentary about threads of violence in our social fabric.  Focusing on five or children who’ve been tormented and abused by schoolmates, two so relentlessly that they took their own lives, documentarian Lee Hirsch advocates without the use of any talking heads, statistics or editorial posturing.  Rather, his film actually depicts everyday acts of bullying and -- worse -- the ineffective and even hurtful responses of school authorities.  At times, the pity, outrage and empathy the evokes threaten to drown you.  But there’s a hint of light, too.  At moments you might feel slightly manipulated.  But when you look into the eyes of two fathers whose sons killed themselves rather than continue to be bullied, quibbles about journalist practice vanish from your mind. Fox Tower

3) “Jiro Dreams of Sushi”  Jiro Ono is the owner of a Tokyo sushi bar with 10 seats and 3 Michelin stars, and David Gelb’s gorgeous and intimate documentary about the man and his obsession gives you an idea of how that can not only be so but be fitting.  Jiro and his two sons (bound to the chef’s apron strings, almost literally) devote untold hours of work and thought to the perfection of sushi-making, turning a sometimes makework form of cookery into indisputably high art.  At 85, the old master still works virtually every day, and the fruit of his focus is in servings of raw fish and warm rice photographed so lusciously that you can almost taste them.  A mouthwatering film:  literally.  Hollywood Theatre, Living Room Theaters

4) "The Cabin in the Woods" A slasher movie inside a horror movie of another sort inside yet another narrative, one which looks out and the audience and asks why they (that is, we) keep lining up to watch other people get slaughtered.  A group of college students head to the titular location for a weekend’s bacchanal, only to be preyed upon and killed in grisly fashion, as per the familiar genre rules.  At the same time, a group of bureaucrats/scientists in a control room manipulate the victims and their killers in the service of...something.  Director Drew Goddard and his co-writer Joss Whedon have fun in the vein of “Scream” and in the vein of “The Truman Show” -- and they come up with an intriguing theory to explain the allure of horror films as well as a (literal) hell of a climax. Bloody, funny, clever. multiple locations

5) “Goon”
In the spirit of the immortal “Slap Shot,” in which that nice old Paul Newman put on ice skates and got all potty-mouthed, Seann William Scott, of all people, absolutely kills as a sweet knucklehead who finds his niche in life punching out people as a minor league hockey player.  Director Michael Dowse, working from a script co-written by actor Jay Baruchel, who has a key supporting role, dives with real relish into bawdy humor and truly unsportsmanlike conduct.  It’s often hilarious, even if it doesn’t really amount to much.  And Liev Schreiber is dry, flinty fun as a grizzled hockey enforcer.  Hollywood Theatre






Levy’s High Five, April 20 – 26

The five films playing in Portland-area theaters that I'd soonest see again.

The Cabin in the Woods lab.jpg"The Cabin in the Woods"
1) “We Need to Talk About Kevin” Lionel Shriver’s novel about a mother dealing with the emotional repercussions of her son’s homicidal schoolhouse rampage becomes a devastating tour de force for director Lynne Ramsay (“Morven Callar,” “Ratcatcher”) and stars Tilda Swinton (as the mom), Ezra Miller and Jasper Newell (as the boy at different ages).  It’s colorful, musical, airtight, horrifying and staggeringly vivid.  You’re reminded of how humanity has made art of the most awful events -- from Greek tragedy through “Schindler’s List” -- and how a masterful filmmaker can mold a transforming experience out of utterly dire material. Deeply disturbing, deeply beautiful, deeply compelling. Fox Tower

2) “The Raid: Redemption”
An ultra-violent, wildly kinetic martial arts film that virtually strips itself of the narrative conventions of plot, theme and characterization to create a white-knuckle thrill ride.  Writer-director Gareth Evans, a Welshman living in Indonesia, takes the simplest story -- a squad of cops attacks a Jakarta apartment house where a crime lord is ensconced -- and uses it to string together wild action sequences that leave the viewer as exhausted as if he or she had fought them.  His stars -- Iko Uwais as a baby-faced cop and Yayan Ruhian (who also choreographed) as a stringy-haired bad guy -- are dazzling.  The whole thing is pure cinema: the human body rendered as a machine capable of mayhem, daring, and, yes, grace. multiple locations

3) “Bully” An emotionally overwhelming documentaries about threads of violence in our social fabric.  Focusing on five or children who’ve been tormented and abused by schoolmates, two so relentlessly that they took their own lives, documentarian Lee Hirsch advocates without the use of any talking heads, statistics or editorial posturing.  Rather, his film actually depicts everyday acts of bullying and -- worse -- the ineffective and even hurtful responses of school authorities.  At times, the pity, outrage and empathy the evokes threaten to drown you.  But there’s a hint of light, too.  At moments you might feel slightly manipulated.  But when you look into the eyes of two fathers whose sons killed themselves rather than continue to be bullied, quibbles about journalist practice vanish from your mind. Fox Tower

4) “Jiro Dreams of Sushi”  Jiro Ono is the owner of a Tokyo sushi bar with 10 seats and 3 Michelin stars, and David Gelb’s gorgeous and intimate documentary about the man and his obsession gives you an idea of how that can not only be so but be fitting.  Jiro and his two sons (bound to the chef’s apron strings, almost literally) devote untold hours of work and thought to the perfection of sushi-making, turning a sometimes makework form of cookery into indisputably high art.  At 85, the old master still works virtually every day, and the fruit of his focus is in servings of raw fish and warm rice photographed so lusciously that you can almost taste them.  A mouthwatering film:  literally.  Hollywood Theatre, Living Room Theaters

5) "The Cabin in the Woods" A slasher movie inside a horror movie of another sort inside yet another narrative, one which looks out and the audience and asks why they (that is, we) keep lining up to watch other people get slaughtered.  A group of college students head to the titular location for a weekend’s bacchanal, only to be preyed upon and killed in grisly fashion, as per the familiar genre rules.  At the same time, a group of bureaucrats/scientists in a control room manipulate the victims and their killers in the service of...something.  Director Drew Goddard and his co-writer Joss Whedon have fun in the vein of “Scream” and in the vein of “The Truman Show” -- and they come up with an intriguing theory to explain the allure of horror films as well as a (literal) hell of a climax. Bloody, funny, clever. multiple locations



Movies: a clever ‘Cabin,’ a heart-rending ‘Bully,’ fests of Jewish films and cycling movies, and more

Reviews of this week's new releases from today's A&E.

The Cabin in the Woods.jpg"The Cabin in the Woods"
Among the movie highlights this week are two signature annual events celebrating milestone anniversaries:  the Portland Jewish Film Festival, now in its 20th year, and Filmed by Bike, now in its 10th.  We've also got reviews of the sharp and surprise-filled horror movie "The Cabin in the Woods," the deeply moving documentary "Bully" and "Blue Like Jazz," a film about education and spirituality shot in Portland.  And, yes, the evergreens:  "Also Opening," "Indie/Arthouse" and "Levy's High Five."

Levy’s High Five, April 13 – 20

The five films playing in Portland-area theaters that I'd soonest see again.

Interrupters -- ameena.jpg"The Interrupters"
1) “We Need to Talk About Kevin” Lionel Shriver’s novel about a mother dealing with the emotional repercussions of her son’s homicidal schoolhouse rampage becomes a devastating tour de force for director Lynne Ramsay (“Morven Callar,” “Ratcatcher”) and stars Tilda Swinton (as the mom), Ezra Miller and Jasper Newell (as the boy at different ages).  It’s colorful, musical, airtight, horrifying and staggeringly vivid.  You’re reminded of how humanity has made art of the most awful events -- from Greek tragedy through “Schindler’s List” -- and how a masterful filmmaker can mold a transforming experience out of utterly dire material. Deeply disturbing, deeply beautiful, deeply compelling. Fox Tower

2) “The Raid: Redemption”
An ultra-violent, wildly kinetic martial arts film that virtually strips itself of the narrative conventions of plot, theme and characterization to create a white-knuckle thrill ride.  Writer-director Gareth Evans, a Welshman living in Indonesia, takes the simplest story -- a squad of cops attacks a Jakarta apartment house where a crime lord is ensconced -- and uses it to string together wild action sequences that leave the viewer as exhausted as if he or she had fought them.  His stars -- Iko Uwais as a baby-faced cop and Yayan Ruhian (who also choreographed) as a stringy-haired bad guy -- are dazzling.  The whole thing is pure cinema: the human body rendered as a machine capable of mayhem, daring, and, yes, grace. multiple locations

3) “Undefeated” In February, this film came out of nowhere, seemingly, to win the Oscar for best documentary feature, and that’s just about right for a movie about an impoverished Memphis high school football program willed into quality by the heart and will of a volunteer coach and his raggedy squad.  Bill Courtney, a white man who has succeeded in business sufficiently to dedicate himself to his passion, has given himself to the boys of Manassas High School for about six years, and he’s finally turned the perennial doormat team into genuine contenders.  With a college-bound superstar, an academic achiever who suffers a career-threatening injury, and a gifted hothead among the players, directors Daniel Lindsay and T. J. Martin have the stuff of gold on their hands, and they mine it tastefully, gracefully and movingly. Fox Tower

4) “Bully” and “The Interrupters” A pair of emotionally overwhelming documentaries about threads of violence in our social fabric.  “Bully” focuses on five or children who’ve been tormented and abused by schoolmates, two so relentlessly that they took their own lives.  It actually depicts the bullying and -- worse -- the ineffective response of school authorities.  At times, the pity, outrage and empathy it evokes threaten to drown you.  But there’s a hint of light, too.  “The Interrupters” is, incredibly, even more powerful.  It spends a year alongside a handful of former Chicago gang-bangers dedicated to quelling potentially violent incidents in their communities.  Intimate, terrifying, and real, it deflates you and gives you hope in turns.  “The Interrupters” plays Wednesday only at the Northwest Film Center. “Bully” plays a regular run at the Fox Tower.

5) “Jiro Dreams of Sushi”  Jiro Ono is the owner of a Tokyo sushi bar with 10 seats and 3 Michelin stars, and David Gelb’s gorgeous and intimate documentary about the man and his obsession gives you an idea of how that can not only be so but be fitting.  Jiro and his two sons (bound to the chef’s apron strings, almost literally) devote untold hours of work and thought to the perfection of sushi-making, turning a sometimes makework form of cookery into indisputably high art.  At 85, the old master still works virtually every day, and the fruit of his focus is in servings of raw fish and warm rice photographed so lusciously that you can almost taste them.  A mouthwatering film:  literally.  Hollywood Theatre, Living Room Theaters




‘Bully’ review: an overwhelming look into a hurtful syndrome

Formerly rated R for profanity, this powerful film about children abusing children is a must-see.

Bully.jpgOne of the tormented children in "Bully"
Some movies uses make-believe to make you squirm or cry or rise to righteous anger.  “Bully” does all of that with reality.

Documentarian Lee Hirsch peers into one of the most horrifying things you’ll ever see -- the lives of bullied young teens -- and wrings and terrifies and outrages you impressively.

“Bully” focuses on five or children around the U. S. who have been abused by schoolmates, two so relentlessly that they committed suicide.  The film speaks to the impact of bullying and, more terribly, actually depicts the abuse and -- worse -- the ineffective responses of scholastic and legal authorities, who sometimes exacerbate the troubles.

You sense that some corners have been shaved in “Bully,” but that doesn’t lessen the film’s impact or import.  Watching two fathers mourn their sons, who took their own lives, is utterly gut-wrenching, and you want to reach out and help any child headed toward such a dire decision.

“Bully” was initially rated R for profanities that, frankly, I can’t recall hearing.  But it’s been edited and re-rated PG-13, meaning that those who most need to learn from it -- victims of bullying and, yes, their tormentors -- will get to see it.  I think it could be argued that it ought to be mandatory.
    
(99 min., PG-13, Fox Tower)
Grade: B-plus


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