Category: seth rogen

A grim ‘Knight,’ a melancholy ‘Waltz’ and more

Reviews of this week's new releases in Portland-area theaters.

The Dark Knight Rises.jpgChristian Bale in "The Dark Knight Rises"
The big release of the weekend -- and likely the month and maybe the season or even the year -- is "The Dark Knight Rises," the final installment in Christopher Nolan's Batman trilogy.  We've also got reviews of Michelle Williams and Seth Rogen in the marital drama "Take This Waltz," the musical documentary "Neil Young Journeys," and "Trishna," a reimagining of Thomas Hardy's "Tess of the D'Urbervilles" in India starring Freida Pinto. All that plus "Also Opening," "Indie/Arthouse" and "Levy's High Five."

‘Take This Waltz’ review: marriage, interrupted

A chance encounter tests a woman's marital resolve.

Take this Waltz.jpgMichelle Williams and Seth Rogen in "Take This Waltz"
“Take This Waltz” is a film about a romance that looks hotter than it is.  It’s a tale of lust-at-first-sight between a writer (Michelle Williams) and her artist neighbor (Luke Kirby).  She’s married, mostly happily, albeit with childish undertones, to a cookbook author (Seth Rogen, born to play cuckolds), and she tries to resist temptation. But it’s summer, and she’s stifled, and that intense fellow across the street keeps popping up with soulful looks and leering innuendoes.

“Waltz” is written and directed by Sarah Polley, the actress who made the highly regarded “Away from Her.”  Like that film, which starred Julie Christie as a woman disappearing into dementia, the new one is built around a strong leading lady and painted with genuinely brilliant light and color.  It’s somewhat less affecting, though, as the heroine here is less formed and her plight less moving.  The marriage in which she’s involved is flawed, yes, but the chemistry she’s supposed to feel for the fellow across the street doesn’t quite translate for the viewer.  It feels more like mooning than wild passion.

Williams, as ever, fills an ordinary person with credible emotion, but little around her feels equally real (one exception: a remarkable scene in the shower of a women’s locker room at a swimming pool).  There’s often real beauty and poetry in the moviemaking, but “Waltz” requires you to be on board with it from the start and doesn’t often enough rouse itself to magnetize you if you’re not.
    
(116 min., R, Living Room Theaters) Grade: B-minus


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