Category: headhunters

Movies: Hot summer films, tepid ‘Shadows,’ an eerie ‘Voice’ and more

New releases in Portland-area theaters not reviewed in this week's A&E.

dark shadows 2.jpgJohnny Depp in "Dark Shadows"
In this week's paper, we weigh in on the eleventy-jillion movie releases due in Portland theaters between now and Labor Day in our annual Summer Movie Guide.  We've also got reviews of the films that open today, including the Tim Burton/Johnny Depp horror comedy "Dark Shadows," the Norwegian comic thriller "Headhunters," the multi-character British charmer "The Best Exotic Marigold Hotel," and "Sound of My Voice," a creepy film about life in a charismatic cult.  And those bad pennies:  "Also Opening," "Indie/Arthouse" and "Levy's High Five."

‘Headhunters’ review: the tables turn terrifyingly on a yuppie art thief

An agreeable Norwegian comic thriller with touches of the Coen brothers.

Headhunters.jpgAksel Hennie in "Headhunters"
Like a Norwegian cousin of a Coen brothers film, “Headhunters” presents us with a dislikeable protagonist and then heaps so much woe and misfortune on him so gleefully that we come to feel a rising sympathy for the poor devil.  

Aksel Hennie stars as Roger Brown, an obnoxious corporate headhunter who’s self-conscious about being married to a gorgeous (and taller) woman.  Feeling he must keep his missus happy, he augments his already sizeable income -- by stealing works of art from his business clients and replacing them with near-replicas.  In the process what ought to be the biggest score of this second ‘career,’ Roger discovers a secret which shatters him and then must flee for his life from a bloodthirsty mercenary (Nikolaj Coster-Waldau).

Director Morten Tyldum (“Fallen Angels”), working from a novel by Jo Nesbø, nicely balances slickness, terror, comedy and the grotesque, and Hennie is almost too perfect in the lead, particularly in his insufferable early stages.  

It’s a light entertainment -- provided you can be entertained by watching Roger suffer and quake as he does.  And, almost inevitably, it’s been identified for a potential Hollywood remake.  Do yourself a favor and see this one before some Yank director gets it all wrong.
    
(100 min., R, Cinema 21) Grade: B-plus


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