Category: the raid

Levy’s High Five, May 18 – 24

May 17, 2012 / Mad About Movies

The five films playing in Portland-area theaters that I'd soonest see again.

"Jiro Dreams of Sushi"

1) “The Deep Blue Sea” Terence Davies is the finest director you’ve likely never heard of, probably because his best films -- the quiet, devastating semi-autobiographical “Distant Voices, Still Lives” and “The Long Day Closes” -- were made more than two decades ago and he’s only had one film (“The House of Mirth,” an anomaly, really) get even a modest release since. Here, adapting Terence Rattigan’s 1952 play about a passionate woman (Rachel Weisz), her stodgy husband (Simon Russell Beale) and her unreliable lover (Tom Hiddleston), his immense, inimitable gifts for image-making and, especially, turning film into something like music are in full power. The effect is sometimes funny, sometimes dramatic, sometimes absolutely ravishing. Davies is a master, and this is his most accessible film. See it. Living Room Theaters

2) “The Raid: Redemption” An ultra-violent, wildly kinetic martial arts film that virtually strips itself of the narrative conventions of plot, theme and characterization to create a white-knuckle thrill ride. Writer-director Gareth Evans, a Welshman living in Indonesia, takes the simplest story -- a squad of cops attacks a Jakarta apartment house where a crime lord is ensconced -- and uses it to string together wild action sequences that leave the viewer as exhausted as if he or she had fought them. His stars -- Iko Uwais as a baby-faced cop and Yayan Ruhian (who also choreographed) as a stringy-haired bad guy -- are dazzling. The whole thing is pure cinema: the human body rendered as a machine capable of mayhem, daring, and, yes, grace. Academy, Laurelhurst

3) “The Portland Queer Documentary Festival” Now marking its sixth year, QDocs, as it’s known, continues on as the only festival in the hemisphere dedicated to non-fictional films dealing with LGBT issues (there’s also one in Australia, which is rather a schlep...). This year’s crop is predictably diverse, with several films on contemporary political issues such as marriage rights (“Question One”) and gay clergy (“Love Free or Die”) and a number of portraits of artists who have carved out space in fields not immediately associated with gay and lesbian performers such as country music (“Chely Wright: Wish Me Away”) and comic books (“King of Comics”). A particular highlight is “Vito,” a compelling, smart and moving portrait of the late film historian and activist Vito Russo. Many of the films will be presented by their directors or subjects; all screenings will be held at McMenamins Kennedy School. Full ticket and schedule information

4) “Bernie” It’s a term of deep praise to note that writer-director Richard Linklater (deepbreath: “Slacker,” “Dazed and Confused,” “Before Sunrise,” “Before Sunset,” “Waking Life,” “School of Rock”) is capable more than any contemporary American filmmaker of making terrific movies about nearly nothing. Here, working with a based-on-truth story, he gives us life in the small East Texas town of Carthage, where a beneficent funeral director (Jack Black) and a mean, wealthy widow (Shirley MacLaine) become unlikely chums and companions...under she mysteriously goes missing. Linklater weaves the dramatized version of the story with dry and deft interviews of actual Carthaginians (is that what they’re called?) and even several musical numbers in a perfect frappe of a black comedy. Fox Tower

5) “Jiro Dreams of Sushi” Jiro Ono is the owner of a Tokyo sushi bar with 10 seats and 3 Michelin stars, and David Gelb’s gorgeous and intimate documentary about the man and his obsession gives you an idea of how that can not only be so but be fitting. Jiro and his two sons (bound to the chef’s apron strings, almost literally) devote untold hours of work and thought to the perfection of sushi-making, turning a sometimes makework form of cookery into indisputably high art. At 85, the old master still works virtually every day, and the fruit of his focus is in servings of raw fish and warm rice photographed so lusciously that you can almost taste them. A mouthwatering film: literally. Laurelhurst, Living Room Theaters

Levy’s High Five, May 11 – 17

May 10, 2012 / Mad About Movies

The five films playing in Portland-area theaters that I'd soonest see again.

Rachel Weisz and Tom Hiddleston in "The Deep Blue Sea"

1) “The Deep Blue Sea” Terence Davies is the finest director you’ve likely never heard of, probably because his best films -- the quiet, devastating semi-autobiographical “Distant Voices, Still Lives” and “The Long Day Closes” -- were made more than two decades ago and he’s only had one film (“The House of Mirth,” an anomaly, really) get even a modest release since. Here, adapting Terence Rattigan’s 1952 play about a passionate woman (Rachel Weisz), her stodgy husband (Simon Russell Beale) and her unreliable lover (Tom Hiddleston), his immense, inimitable gifts for image-making and, especially, turning film into something like music are in full power. The effect is sometimes funny, sometimes dramatic, sometimes absolutely ravishing. Davies is a master, and this is his most accessible film. See it. Living Room Theaters

2) “The Raid: Redemption” An ultra-violent, wildly kinetic martial arts film that virtually strips itself of the narrative conventions of plot, theme and characterization to create a white-knuckle thrill ride. Writer-director Gareth Evans, a Welshman living in Indonesia, takes the simplest story -- a squad of cops attacks a Jakarta apartment house where a crime lord is ensconced -- and uses it to string together wild action sequences that leave the viewer as exhausted as if he or she had fought them. His stars -- Iko Uwais as a baby-faced cop and Yayan Ruhian (who also choreographed) as a stringy-haired bad guy -- are dazzling. The whole thing is pure cinema: the human body rendered as a machine capable of mayhem, daring, and, yes, grace. Academy, Laurelhurst

3) “Bully” An emotionally overwhelming documentary about threads of violence in our social fabric. Focusing on five or children who’ve been tormented and abused by schoolmates, two so relentlessly that they took their own lives, documentarian Lee Hirsch advocates without the use of any talking heads, statistics or editorial posturing. Rather, his film actually depicts everyday acts of bullying and -- worse -- the ineffective and even hurtful responses of school authorities. At times, the pity, outrage and empathy the evokes threaten to drown you. But there’s a hint of light, too. At moments you might feel slightly manipulated. But when you look into the eyes of two fathers whose sons killed themselves rather than continue to be bullied, quibbles about journalist practice vanish from your mind. Fox Tower

4) “Jiro Dreams of Sushi” Jiro Ono is the owner of a Tokyo sushi bar with 10 seats and 3 Michelin stars, and David Gelb’s gorgeous and intimate documentary about the man and his obsession gives you an idea of how that can not only be so but be fitting. Jiro and his two sons (bound to the chef’s apron strings, almost literally) devote untold hours of work and thought to the perfection of sushi-making, turning a sometimes makework form of cookery into indisputably high art. At 85, the old master still works virtually every day, and the fruit of his focus is in servings of raw fish and warm rice photographed so lusciously that you can almost taste them. A mouthwatering film: literally. Laurelhurst, Living Room Theaters

5) "The Cabin in the Woods" A slasher movie inside a horror movie of another sort inside yet another narrative, one which looks out and the audience and asks why they (that is, we) keep lining up to watch other people get slaughtered. A group of college students head to the titular location for a weekend’s bacchanal, only to be preyed upon and killed in grisly fashion, as per the familiar genre rules. At the same time, a group of bureaucrats/scientists in a control room manipulate the victims and their killers in the service of...something. Director Drew Goddard and his co-writer Joss Whedon have fun in the vein of “Scream” and in the vein of “The Truman Show” -- and they come up with an intriguing theory to explain the allure of horror films as well as a (literal) hell of a climax. Bloody, funny, clever. multiple locations

Levy’s High Five, May 4 – 10

May 3, 2012 / Mad About Movies

The five films playing in Portland-area theaters that I'd soonest see again.

Tom Hiddleston and Rachel Weisz in "The Deep Blue Sea"

1) “The Deep Blue Sea” Terence Davies is the finest director you’ve likely never heard of, probably because his best films -- the quiet, devastating semi-autobiographical “Distant Voices, Still Lives” and “The Long Day Closes” -- were made more than two decades ago and he’s only had one film (“The House of Mirth,” an anomaly, really) get even a modest release since. Here, adapting Terence Rattigan’s 1952 play about a passionate woman (Rachel Weisz), her stodgy husband (Simon Russell Beale) and her unreliable lover (Tom Hiddleston), his immense, inimitable gifts for image-making and, especially, turning film into something like music are in full power. The effect is sometimes funny, sometimes dramatic, sometimes absolutely ravishing. Davies is a master, and this is his most accessible film. See it. Cinema 21

2) “The Raid: Redemption” An ultra-violent, wildly kinetic martial arts film that virtually strips itself of the narrative conventions of plot, theme and characterization to create a white-knuckle thrill ride. Writer-director Gareth Evans, a Welshman living in Indonesia, takes the simplest story -- a squad of cops attacks a Jakarta apartment house where a crime lord is ensconced -- and uses it to string together wild action sequences that leave the viewer as exhausted as if he or she had fought them. His stars -- Iko Uwais as a baby-faced cop and Yayan Ruhian (who also choreographed) as a stringy-haired bad guy -- are dazzling. The whole thing is pure cinema: the human body rendered as a machine capable of mayhem, daring, and, yes, grace. Academy, Laurelhurst

3) “Bully” An emotionally overwhelming documentary about threads of violence in our social fabric. Focusing on five or children who’ve been tormented and abused by schoolmates, two so relentlessly that they took their own lives, documentarian Lee Hirsch advocates without the use of any talking heads, statistics or editorial posturing. Rather, his film actually depicts everyday acts of bullying and -- worse -- the ineffective and even hurtful responses of school authorities. At times, the pity, outrage and empathy the evokes threaten to drown you. But there’s a hint of light, too. At moments you might feel slightly manipulated. But when you look into the eyes of two fathers whose sons killed themselves rather than continue to be bullied, quibbles about journalist practice vanish from your mind. Fox Tower

4) “Jiro Dreams of Sushi” Jiro Ono is the owner of a Tokyo sushi bar with 10 seats and 3 Michelin stars, and David Gelb’s gorgeous and intimate documentary about the man and his obsession gives you an idea of how that can not only be so but be fitting. Jiro and his two sons (bound to the chef’s apron strings, almost literally) devote untold hours of work and thought to the perfection of sushi-making, turning a sometimes makework form of cookery into indisputably high art. At 85, the old master still works virtually every day, and the fruit of his focus is in servings of raw fish and warm rice photographed so lusciously that you can almost taste them. A mouthwatering film: literally. Hollywood Theatre, Living Room Theaters

This week’s last-chance movies: ‘The Raid: Redemption,’ ‘We Need to Talk About Kevin,’ and more

April 25, 2012 / Mad About Movies

Catch 'em while you can!

"The Raid: Redemption"

Two of the absolute must-see films of the year are in their final two days in Portland-area theaters, so consider yourselves warned. "The Raid: Redemption" is a stunning, pedal-to-the-floor action film from Indonesia. "We Need to Talk About Kevin" is a blistering and artful drama about a mother dealing with her son's horrible misdeeds. Two other films -- the Navy SEAL shoot-em-up "Act of Valor" and the New Zealand coming-of-age story "Boy" -- are also leaving, but "Raid" and "Kevin" are BY FAR the priorities. DO NOT MISS THEM.

Levy’s High Five, April 20 – 26

April 19, 2012 / Mad About Movies

The five films playing in Portland-area theaters that I'd soonest see again.

"The Cabin in the Woods"

1) “We Need to Talk About Kevin” Lionel Shriver’s novel about a mother dealing with the emotional repercussions of her son’s homicidal schoolhouse rampage becomes a devastating tour de force for director Lynne Ramsay (“Morven Callar,” “Ratcatcher”) and stars Tilda Swinton (as the mom), Ezra Miller and Jasper Newell (as the boy at different ages). It’s colorful, musical, airtight, horrifying and staggeringly vivid. You’re reminded of how humanity has made art of the most awful events -- from Greek tragedy through “Schindler’s List” -- and how a masterful filmmaker can mold a transforming experience out of utterly dire material. Deeply disturbing, deeply beautiful, deeply compelling. Fox Tower

2) “The Raid: Redemption” An ultra-violent, wildly kinetic martial arts film that virtually strips itself of the narrative conventions of plot, theme and characterization to create a white-knuckle thrill ride. Writer-director Gareth Evans, a Welshman living in Indonesia, takes the simplest story -- a squad of cops attacks a Jakarta apartment house where a crime lord is ensconced -- and uses it to string together wild action sequences that leave the viewer as exhausted as if he or she had fought them. His stars -- Iko Uwais as a baby-faced cop and Yayan Ruhian (who also choreographed) as a stringy-haired bad guy -- are dazzling. The whole thing is pure cinema: the human body rendered as a machine capable of mayhem, daring, and, yes, grace. multiple locations

3) “Bully” An emotionally overwhelming documentaries about threads of violence in our social fabric. Focusing on five or children who’ve been tormented and abused by schoolmates, two so relentlessly that they took their own lives, documentarian Lee Hirsch advocates without the use of any talking heads, statistics or editorial posturing. Rather, his film actually depicts everyday acts of bullying and -- worse -- the ineffective and even hurtful responses of school authorities. At times, the pity, outrage and empathy the evokes threaten to drown you. But there’s a hint of light, too. At moments you might feel slightly manipulated. But when you look into the eyes of two fathers whose sons killed themselves rather than continue to be bullied, quibbles about journalist practice vanish from your mind. Fox Tower

4) “Jiro Dreams of Sushi” Jiro Ono is the owner of a Tokyo sushi bar with 10 seats and 3 Michelin stars, and David Gelb’s gorgeous and intimate documentary about the man and his obsession gives you an idea of how that can not only be so but be fitting. Jiro and his two sons (bound to the chef’s apron strings, almost literally) devote untold hours of work and thought to the perfection of sushi-making, turning a sometimes makework form of cookery into indisputably high art. At 85, the old master still works virtually every day, and the fruit of his focus is in servings of raw fish and warm rice photographed so lusciously that you can almost taste them. A mouthwatering film: literally. Hollywood Theatre, Living Room Theaters

5) "The Cabin in the Woods" A slasher movie inside a horror movie of another sort inside yet another narrative, one which looks out and the audience and asks why they (that is, we) keep lining up to watch other people get slaughtered. A group of college students head to the titular location for a weekend’s bacchanal, only to be preyed upon and killed in grisly fashion, as per the familiar genre rules. At the same time, a group of bureaucrats/scientists in a control room manipulate the victims and their killers in the service of...something. Director Drew Goddard and his co-writer Joss Whedon have fun in the vein of “Scream” and in the vein of “The Truman Show” -- and they come up with an intriguing theory to explain the allure of horror films as well as a (literal) hell of a climax. Bloody, funny, clever. multiple locations

Levy’s High Five, April 13 – 20

April 12, 2012 / Mad About Movies

The five films playing in Portland-area theaters that I'd soonest see again.

"The Interrupters"

1) “We Need to Talk About Kevin” Lionel Shriver’s novel about a mother dealing with the emotional repercussions of her son’s homicidal schoolhouse rampage becomes a devastating tour de force for director Lynne Ramsay (“Morven Callar,” “Ratcatcher”) and stars Tilda Swinton (as the mom), Ezra Miller and Jasper Newell (as the boy at different ages). It’s colorful, musical, airtight, horrifying and staggeringly vivid. You’re reminded of how humanity has made art of the most awful events -- from Greek tragedy through “Schindler’s List” -- and how a masterful filmmaker can mold a transforming experience out of utterly dire material. Deeply disturbing, deeply beautiful, deeply compelling. Fox Tower

2) “The Raid: Redemption” An ultra-violent, wildly kinetic martial arts film that virtually strips itself of the narrative conventions of plot, theme and characterization to create a white-knuckle thrill ride. Writer-director Gareth Evans, a Welshman living in Indonesia, takes the simplest story -- a squad of cops attacks a Jakarta apartment house where a crime lord is ensconced -- and uses it to string together wild action sequences that leave the viewer as exhausted as if he or she had fought them. His stars -- Iko Uwais as a baby-faced cop and Yayan Ruhian (who also choreographed) as a stringy-haired bad guy -- are dazzling. The whole thing is pure cinema: the human body rendered as a machine capable of mayhem, daring, and, yes, grace. multiple locations

3) “Undefeated” In February, this film came out of nowhere, seemingly, to win the Oscar for best documentary feature, and that’s just about right for a movie about an impoverished Memphis high school football program willed into quality by the heart and will of a volunteer coach and his raggedy squad. Bill Courtney, a white man who has succeeded in business sufficiently to dedicate himself to his passion, has given himself to the boys of Manassas High School for about six years, and he’s finally turned the perennial doormat team into genuine contenders. With a college-bound superstar, an academic achiever who suffers a career-threatening injury, and a gifted hothead among the players, directors Daniel Lindsay and T. J. Martin have the stuff of gold on their hands, and they mine it tastefully, gracefully and movingly. Fox Tower

4) “Bully” and “The Interrupters” A pair of emotionally overwhelming documentaries about threads of violence in our social fabric. “Bully” focuses on five or children who’ve been tormented and abused by schoolmates, two so relentlessly that they took their own lives. It actually depicts the bullying and -- worse -- the ineffective response of school authorities. At times, the pity, outrage and empathy it evokes threaten to drown you. But there’s a hint of light, too. “The Interrupters” is, incredibly, even more powerful. It spends a year alongside a handful of former Chicago gang-bangers dedicated to quelling potentially violent incidents in their communities. Intimate, terrifying, and real, it deflates you and gives you hope in turns. “The Interrupters” plays Wednesday only at the Northwest Film Center. “Bully” plays a regular run at the Fox Tower.

5) “Jiro Dreams of Sushi” Jiro Ono is the owner of a Tokyo sushi bar with 10 seats and 3 Michelin stars, and David Gelb’s gorgeous and intimate documentary about the man and his obsession gives you an idea of how that can not only be so but be fitting. Jiro and his two sons (bound to the chef’s apron strings, almost literally) devote untold hours of work and thought to the perfection of sushi-making, turning a sometimes makework form of cookery into indisputably high art. At 85, the old master still works virtually every day, and the fruit of his focus is in servings of raw fish and warm rice photographed so lusciously that you can almost taste them. A mouthwatering film: literally. Hollywood Theatre, Living Room Theaters

Movies: A wild ‘Raid,’ a sexy ‘Chico,’ a hearfelt ‘Undefeated,’ and more

March 30, 2012 / Mad About Movies

Reviews of this week's new releases from today's A&E.

"The Raid: Redemption"

There's some really fine stuff new to local theaters this week. I'm especially fond of the Indonesian martial arts extravaganza "The Raid," but I heartily recommend the Oscar-winning high school football documentary "Undefeated" and the Oscar-nominated animated musical "Chico & Rita" (surprisingly grown-up, that one). There's also the Belgian slice-of-grim-life drama "The Kid with a Bike." All that -- plus "Also Opening," "Indie/Arthouse" and "Levy's High Five" -- for the fabulous price of free! Enjoy!

Levy’s High Five, March 30 – April 5

March 29, 2012 / Mad About Movies

The five films playing in Portland-area theaters that I'd soonest see again.

The Raid -- REdemption -- Taslim and Ruhian.jpg

Joe Taslim (l.) and Yayan Ruhian in "The Raid: Redemption"

1) “We Need to Talk About Kevin” Lionel Shriver’s novel about a mother dealing with the emotional repercussions of her son’s homicidal schoolhouse rampage becomes a devastating tour de force for director Lynne Ramsay (“Morven Callar,” “Ratcatcher”) and stars Tilda Swinton (as the mom), Ezra Miller and Jasper Newell (as the boy at different ages). It’s colorful, musical, airtight, horrifying and staggeringly vivid. You’re reminded of how humanity has made art of the most awful events -- from Greek tragedy through “Schindler’s List” -- and how a masterful filmmaker can mold a transforming experience out of utterly dire material. Deeply disturbing, deeply beautiful, deeply compelling. Fox Tower

2) “The Raid: Redemption” An ultra-violent, wildly kinetic martial arts film that virtually strips itself of the narrative conventions of plot, theme and characterization to create a white-knuckle thrill ride. Writer-director Gareth Evans, a Welshman living in Indonesia, takes the simplest story -- a squad of cops attacks a Jakarta apartment house where a crime lord is ensconced -- and uses it to string together wild action sequences that leave the viewer as exhausted as if he or she had fought them. His stars -- Iko Uwais as a baby-faced cop and Yayan Ruhian (who also choreographed) as a stringy-haired bad guy -- are dazzling. The whole thing is pure cinema: the human body rendered as a machine capable of mayhem, daring, and, yes, grace. Cinema 21, Lloyd Center

3) “Undefeated” In February, this film came out of nowhere, seemingly, to win the Oscar for best documentary feature, and that’s just about right for a movie about an impoverished Memphis high school football program willed into quality by the heart and will of a volunteer coach and his raggedy squad. Bill Courtney, a white man who has succeeded in business sufficiently to dedicate himself to his passion, has given himself to the boys of Manassas High School for about six years, and he’s finally turned the perennial doormat team into genuine contenders. With a college-bound superstar, an academic achiever who suffers a career-threatening injury, and a gifted hothead among the players, directors Daniel Lindsay and T. J. Martin have the stuff of gold on their hands, and they mine it tastefully, gracefully and movingly. Fox Tower

4) “Chico & Rita” A handsome, enthralling and grown-up animated feature film from Spain that was a surprising but highly deserving Oscar nominee earlier this year. Three directors combine to tell the story of a pianist and singer who fall madly in love in pre-revolutionary Havana and are separated by the vagaries of careers, money and passion. There are frank sequences of sexuality, drug use and violence, but there are also exhilarating scenes of music, including appearances by Woody Herman, Dizzy Gillespie and Cuban jazz legend Chano Pozo. It’s a gorgeous dream of a film, traveling the world -- New York, Paris, Las Vegas -- but as passionate and intimate as a bolero. Fox Tower

5) “Jiro Dreams of Sushi” Jiro Ono is the owner of a Tokyo sushi bar with 10 seats and 3 Michelin stars, and David Gelb’s gorgeous and intimate documentary about the man and his obsession gives you an idea of how that can not only be so but be fitting. Jiro and his two sons (bound to the chef’s apron strings, almost literally) devote untold hours of work and thought to the perfection of sushi-making, turning a sometimes makework form of cookery into indisputably high art. At 85, the old master still works virtually every day, and the fruit of his focus is in servings of raw fish and warm rice photographed so lusciously that you can almost taste them. A mouthwatering film: literally. Hollywood Theatre, Living Room Theaters

‘The Raid: Redemption’ review: non-stop martial arts action gets, thrillingly, to the essence of movies

March 29, 2012 / Mad About Movies

A bloody, nearly plotless Indonesian action film is exhausting and exhilarating.

Nothing actually mov

Iko Uwais in "The Raid: Redemption"

es in movies. The motion in motion pictures is an illusion, created (at least in the century prior to the digital age) by the flickering of frames of film through a camera (and, afterwards, a projector) at such a rate so that a series of still photos shown in sequence seems to show something moving -- just like in a flip book, but using light and chemically-treated celluloid instead of paper.

Because of this, there is a case to be made that the essential theme of the cinema is (or ought to be) motion, and, more specifically, mechanical motion, and, more specifically still, the mechanical nature of the human body in motion. From Charlie Chaplin through Fred Astaire through Bruce Lee, the spectacle of the human body expressing its physical angularity, muscularity, jointedness, aspiration, and finitude is, in many ways, the acme of film art. Movies are (or, again, ought to be) about moving, and nothing is more interesting to watch in motion than a person.

Lots of people move in “The Raid: Redemption,” chiefly in violence against one another. Writer-director Gareth Evans, a Welshman living in Indonesia, has pared his film almost utterly of the things that other filmmakers often overdo and get wrong -- namely plot, character, moral, and meaning, aspects of literary and dramatic art that cinema inherited from other media when it emerged as a narrative form.

Instead, Evans expends his considerable gifts building sequences of sheer mayhem involving martial arts combat and gunplay, creating a boggling spectacle of raw thrills that should make other directors ashamed of calling their work ‘action movies.’ “The Raid: Redemption” is almost entirely action -- or, when it catches its breath, the tense pauses leading up to explosions of action. It viscerally indulges itself in one of the cinema’s most elemental functions, and it overwhelms.

Plotwise, the film could not be simpler and still be said to tell a story. One grey morning, a squadron of policemen, including the soft-spoken Rama (Iko Uwais), stage an assault on a Jakarta apartment block where a crime lord (Ray Sahetapy) is bunkered on the top floor. The mission is to go in, apprehend the bad guy, and drag him out. But the villain isn’t up there defended by hopes and wishes, and from the moment the cops get to the building they’re engaged in a fight to the death. Rama, displaying superhuman capacities of speed, strength and agility and defying the bad fortune of uncovering several twists and deceptions, stays the course, determined to see the mission through and emerge alive.

The cinematography is dark and sweaty; the electronic music ominous; the location seedy; it’s a splendid bit of B-moviemaking. But what truly dazzles is the wall-to-wall violence and pervading sense of incipient danger. Evans has created a raw and pure and kinetic film that hits the audience with wave after wave of energy. His action stars -- chiefly the baby-faced Uwais and the oily, stringy-haired Yayan Ruhian, who also choreographed the fights -- are quick and lithe and deadly and seem to declare the morality of their characters in their combat styles. That is, you can read into the hearts of Evans’ characters by observing the ways they use their bodies: Uwais moves and fights in clean, direct lines, while Ruhian, playing a fellow aptly named Mad Dog, is sinuous and deceptive.

That, and not the barbaric glee of seeing bodies break and bleed, is what makes “The Raid: Redemption” such an impressive achievement: it locks on to a primal aspect of the cinema and of the human animal and celebrates, albeit in the cloak of blood and death, the intersection of motion and character. You can get a similar thrill from dance: witness “Pina” or certain sequences, including the climax, of “The Artist.” But the life-and-death stakes here heighten the whole question.

There will be those, no doubt, for whom the boilerplate plot and slender characterizations of this film are cause to dismiss it as a trifle. Others will find it dark and violent and, perhaps, inhuman. But one thing they can’t say is that it isn’t a moving picture. Indeed, this is the sort of film for which the phrase ‘movie-movie’ was coined -- and coined as a term of highest praise.

(112 min., R, Cinema 21, Lloyd Center) Grade: A-minus

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