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Movies: the full ‘Marley,’ a ‘Lucky’ romance, a sweet ‘Salt’ and more

Reviews of this week's new releases from today's A&E.

Marley 2.jpgBob Marley from "Marley"
Light week at the movies.  We've got reviews of the epic-scale biographical documentary "Marley," the Zac Efron love story "The Lucky One," the Italian slice-of-romance comedy "The Salt of Life," and, off the wire, the nature documentary "Chimpanzee." And, as ever, no matter the weather, "Also Opening," "Indie/Arthouse" and "Levy's High Five."

Invasion of the ‘Trannysnatchers,’ the battles of the ‘Monday Knights,’ a clean ‘Getaway’ and more

New releases in Portland-area theaters not reviewed in this week's A&E.

The Monday Knights.jpg"The Monday Knights"
“The Banff Mountain Film Festival” Selected outdoor adventure films from the annual Canadian festival.  (Bagdad Theater, Tuesday through Thursday only)

“The Bus” Documentary about the history of the icon Volkswagen Bus.  (Hollywood Theatre, Wednesday only)  

“The Getaway” Sam Peckinpah’s 1972 adaptation of the Jim Thompson crime novel, with Steve McQueen and Ali MacGraw.  (Laurelhurst)  

“The Greater Good”
Documentary about the controversy and doubts surrounding childhood vaccines.  (Cinema 21, Saturday only)  

“Happy Together”
Wong Kar-Wai’s intoxicating 1997 romance, with Leslie Cheung and Tony Leung.  (5th Avenue Cinema,  Friday through Sunday only)  

“King Kong vs. Godzilla” Whattayaneed, a road map? An ape and radioactive lizard go at it in a 1962 Japanese film.  (Hollywood Theatre, Tuesday only)  

“The Monday Knights”
Made-in-Portland web series about a group of friends who are very into their role-playing fantasy game lives.  (Hollywood Theatre, Saturday only)  

“Rock ‘n’ Roll High School” The Ramones ‘star’ in the immortal 1979 B-movie, revived by Jackpot Records in celebration of Record Store Day.  (Bagdad, Friday and Saturday only)  

“To the Arctic” Documentary about the frozen north and the creatures who call it home (OMNIMAX at OMSI

“Trannysnatchers!” World premiere of a made-in-Portland horror comedy.  (Hollywood Theatre,  Friday only)  



Levy’s High Five, April 20 – 26

The five films playing in Portland-area theaters that I'd soonest see again.

The Cabin in the Woods lab.jpg"The Cabin in the Woods"
1) “We Need to Talk About Kevin” Lionel Shriver’s novel about a mother dealing with the emotional repercussions of her son’s homicidal schoolhouse rampage becomes a devastating tour de force for director Lynne Ramsay (“Morven Callar,” “Ratcatcher”) and stars Tilda Swinton (as the mom), Ezra Miller and Jasper Newell (as the boy at different ages).  It’s colorful, musical, airtight, horrifying and staggeringly vivid.  You’re reminded of how humanity has made art of the most awful events -- from Greek tragedy through “Schindler’s List” -- and how a masterful filmmaker can mold a transforming experience out of utterly dire material. Deeply disturbing, deeply beautiful, deeply compelling. Fox Tower

2) “The Raid: Redemption”
An ultra-violent, wildly kinetic martial arts film that virtually strips itself of the narrative conventions of plot, theme and characterization to create a white-knuckle thrill ride.  Writer-director Gareth Evans, a Welshman living in Indonesia, takes the simplest story -- a squad of cops attacks a Jakarta apartment house where a crime lord is ensconced -- and uses it to string together wild action sequences that leave the viewer as exhausted as if he or she had fought them.  His stars -- Iko Uwais as a baby-faced cop and Yayan Ruhian (who also choreographed) as a stringy-haired bad guy -- are dazzling.  The whole thing is pure cinema: the human body rendered as a machine capable of mayhem, daring, and, yes, grace. multiple locations

3) “Bully” An emotionally overwhelming documentaries about threads of violence in our social fabric.  Focusing on five or children who’ve been tormented and abused by schoolmates, two so relentlessly that they took their own lives, documentarian Lee Hirsch advocates without the use of any talking heads, statistics or editorial posturing.  Rather, his film actually depicts everyday acts of bullying and -- worse -- the ineffective and even hurtful responses of school authorities.  At times, the pity, outrage and empathy the evokes threaten to drown you.  But there’s a hint of light, too.  At moments you might feel slightly manipulated.  But when you look into the eyes of two fathers whose sons killed themselves rather than continue to be bullied, quibbles about journalist practice vanish from your mind. Fox Tower

4) “Jiro Dreams of Sushi”  Jiro Ono is the owner of a Tokyo sushi bar with 10 seats and 3 Michelin stars, and David Gelb’s gorgeous and intimate documentary about the man and his obsession gives you an idea of how that can not only be so but be fitting.  Jiro and his two sons (bound to the chef’s apron strings, almost literally) devote untold hours of work and thought to the perfection of sushi-making, turning a sometimes makework form of cookery into indisputably high art.  At 85, the old master still works virtually every day, and the fruit of his focus is in servings of raw fish and warm rice photographed so lusciously that you can almost taste them.  A mouthwatering film:  literally.  Hollywood Theatre, Living Room Theaters

5) "The Cabin in the Woods" A slasher movie inside a horror movie of another sort inside yet another narrative, one which looks out and the audience and asks why they (that is, we) keep lining up to watch other people get slaughtered.  A group of college students head to the titular location for a weekend’s bacchanal, only to be preyed upon and killed in grisly fashion, as per the familiar genre rules.  At the same time, a group of bureaucrats/scientists in a control room manipulate the victims and their killers in the service of...something.  Director Drew Goddard and his co-writer Joss Whedon have fun in the vein of “Scream” and in the vein of “The Truman Show” -- and they come up with an intriguing theory to explain the allure of horror films as well as a (literal) hell of a climax. Bloody, funny, clever. multiple locations



‘Marley’ review: a full-bodied bio of an artist taken too soon

The reggae superstar is the subject of an epic documentary.

Marley.jpgBob Marley
It’s more than 30 years since Bob Marley died of cancer at the horribly young age of 36, and he has become more famous and influential in the decades since his passing than he ever was in his lifetime.

This point is made quite subtly and hearteningly at the very end of the documentary “Marley,” by Kevin Macdonald (who also directed “Touching the Void” and “One Day in September” and the dramatic feature “The Last King of Scotland”). After copiously detailing the life and times of his subject, Macdonald takes us on a journey to every continent of the planet to watch as a pied array of singers, professional and not, perform Marley’s “Get Up, Stand Up” and “One Love.”

Those two songs indicate nicely the range of Marley’s work and spirit:  He was at once a revolutionary outsider preaching fiery justice and a holy fool imploring humanity to embrace its best angels -- and always with great hooks and an infectiously tight band.  It’s no wonder that Marley’s image has taken on the same sort of universal currency as those of such diverse icons as Elvis Presley and Che Guevara:  he is both a musical lodestar and a symbol of political aspiration.  And his influence transcends borders, cultures and even generations in a way that very few artists have ever imagined.

The coda aside, “Marley” doesn’t track the impact of Marley as carefully as it does the days and deeds of the man.  The film is built around interviews with a stunning array of sources.  Marley’s mother, wife, children, lovers, bandmates, teachers, business associates, half-blood relations and so on all appear: a complete who’s-who of his life.  

There are chats with Marley himself, piles of photos and film clips (including cellphone-quality images of Marley and Stevie Wonder performing in 1975), tawdry and frightening headlines (an affair with Miss World, an assassination attempt), music biz intrigues, political tussles, family complications, and Kremlin-like maneuvers within his bands.  You learn about the rise of ska and reggae music, the roots and meanings of Rastafarianism, the political and cultural climate and history of Jamaica.  It’s a thoroughly satisfying, full-bodied portrait.

Marley’s life has been the subject of perhaps a half-dozen aborted feature film projects over the years, and this film gives us an idea of why:  there are almost too many irresistible tangents, compelling songs, and colorful characters.  “Marley” runs nearly two-and-a-half hours without having to establish dramatic characters or expand small incidents into structured scenes.  It may, finally, be the best and last word on the man, his music and his myth that we ever get on film -- an estimable achievement in itself.
    
(144 min., PG-13, Hollywood Theatre, Living Room Theaters) Grade: B-plus


Famed documentarian Barbara Kopple brings her latest film to town

The two-time Oscar-winner will present "A Force of Nature" in a benefit for POWFest

Barbara Kopple.jpgBarbara Kopple
As it has done in the past, POW Fest, the annual local event which punches well above its weight, is bringing a noted director to town to present a new work.  The festival, which is dedicated to films directed by women, will be presenting two-time Oscar-winning documentarian Barbara Kopple and her latest film, "A Force of Nature," a portrait of Ellen Ratner, the journalist, talk show figure and philanthropist.  The film will be presented on Friday, May 4 at the Hollywood Theatre, along with a chat with Kopple and Ratner and a screening of "Harlan County, USA," Kopple's unforgettable Academy Award-winning 1976 documentary about labor strife in a coal mining community in Kentucky.  The entire evening is a benefit for POW Fest, which is held annually in March.  Full information on how to see the film and attend a reception with the filmmakers can be found at the POW Fest web site.

Ashland Independent Film Fest: Anne Thompson offers a wrap

I missed the 11th AIFF (in more ways than one), but at least we can read about it, right?

Ashland-Indie-Film-Fest.jpg
The 11th Ashland Independent Film Festival was held last week (alas, without me: family commitments).  As ever, it brought large throngs of film buffs, filmmakers and film journalists to the gorgeous Southern Oregon city.  Among the latter Anne Thompson of Indiewire, who served as a juror for the second year running and is becoming, like me, an AIFF addict and advocate.  Herewith is her report on her weekend of screenings and visiting Ashland.  And here is a list of the festival's prizewinning films.  Congrats to all, and see you next year (I hope I hope....).

This week’s last-chance movies: ‘Unfeated,’ ‘We Bought a Zoo,’ ‘Comic-con’ and more

Catch 'em while you can!

Undefeated.jpg"Undefeated"
Another Wednesday, another batch of worthwhile films packing their bags to leave town.  Today and tomorrow mark your final chances to see the following films on the big screen in Portland-area theaters:  "Undefeated," the superb Oscar-winning documentary about a Memphis, Tennesse, high school football team; "Comic-Con Episode IV: A Fan's Hope," Morgan Spurlock's charming look at the annual assembly of freaks and geeks in San Diego; "Once Upon a Time in Anatolia," a haunting police drama from Turkey; and "We Bought a Zoo," Cameron Crowe's sweet and sentimental story of a family living through tragedy in unique fashion.  

Movies: a clever ‘Cabin,’ a heart-rending ‘Bully,’ fests of Jewish films and cycling movies, and more

Reviews of this week's new releases from today's A&E.

The Cabin in the Woods.jpg"The Cabin in the Woods"
Among the movie highlights this week are two signature annual events celebrating milestone anniversaries:  the Portland Jewish Film Festival, now in its 20th year, and Filmed by Bike, now in its 10th.  We've also got reviews of the sharp and surprise-filled horror movie "The Cabin in the Woods," the deeply moving documentary "Bully" and "Blue Like Jazz," a film about education and spirituality shot in Portland.  And, yes, the evergreens:  "Also Opening," "Indie/Arthouse" and "Levy's High Five."

Guy Pearce in space, Buster Keaton as ‘Sherlock,’ the return of ‘The Interrupters’ and more

New releases in Portland-area theaters not reviewed in this week's A&E.

Sherlock Jr.jpgBuster Keaton in "Sherlock Jr." (1924)
“Best of the Northwest Filmmakers’ Festival” In case you missed it last fall, here’s the pick of the crop from the region’s longest-running homegrown film fest.  (Northwest Film Center, Friday and Saturday only)

“Dreadnaught”
Classic 1981 martial arts drama.  (Hollywood Theatre, Tuesday only)  

“Four Lovers” French romance about the ups and downs of two star-crossed couples.   (Living Room Theaters)  

“The Interrupters”
Titanically good 2011 documentary about a group of former Chicago gang-bangers dedicated to eradicating the cancer of violence.  A must-see.   (Northwest Film Center, Wednesday only

"The Lady" Tedious account of the work and marriage of Nobel Prize winning Burmese democracy activist Aung San Suu Kyi (Michelle Yeoh). (Fox Tower)

“Lockout”
Sci-fi drama about Guy Pearce trying to rescue a kidnapped girl from a prison that orbits the Earth.  (multiple locations)  

“North by Northwest”
Alfred Hitchcock’s 1959 thriller is considered by some to be his most enduring work.  (5th Avenue Cinema,  Friday through Sunday only)  

“Political Science Theater 3000” An evening of current events and comedy, with political advertisements and other filmed object parsed by a panel of wiseacres. Sponsored by The Bus Project.  (Hollywood Theatre, Monday only)  

“Sherlock Jr.” Buster Keaton’s immortal 1924 film about a daydreaming film projectionist, presented with live musical accompaniment.   (Hollywood Theatre, Thursday only)  



Levy’s High Five, April 13 – 20

The five films playing in Portland-area theaters that I'd soonest see again.

Interrupters -- ameena.jpg"The Interrupters"
1) “We Need to Talk About Kevin” Lionel Shriver’s novel about a mother dealing with the emotional repercussions of her son’s homicidal schoolhouse rampage becomes a devastating tour de force for director Lynne Ramsay (“Morven Callar,” “Ratcatcher”) and stars Tilda Swinton (as the mom), Ezra Miller and Jasper Newell (as the boy at different ages).  It’s colorful, musical, airtight, horrifying and staggeringly vivid.  You’re reminded of how humanity has made art of the most awful events -- from Greek tragedy through “Schindler’s List” -- and how a masterful filmmaker can mold a transforming experience out of utterly dire material. Deeply disturbing, deeply beautiful, deeply compelling. Fox Tower

2) “The Raid: Redemption”
An ultra-violent, wildly kinetic martial arts film that virtually strips itself of the narrative conventions of plot, theme and characterization to create a white-knuckle thrill ride.  Writer-director Gareth Evans, a Welshman living in Indonesia, takes the simplest story -- a squad of cops attacks a Jakarta apartment house where a crime lord is ensconced -- and uses it to string together wild action sequences that leave the viewer as exhausted as if he or she had fought them.  His stars -- Iko Uwais as a baby-faced cop and Yayan Ruhian (who also choreographed) as a stringy-haired bad guy -- are dazzling.  The whole thing is pure cinema: the human body rendered as a machine capable of mayhem, daring, and, yes, grace. multiple locations

3) “Undefeated” In February, this film came out of nowhere, seemingly, to win the Oscar for best documentary feature, and that’s just about right for a movie about an impoverished Memphis high school football program willed into quality by the heart and will of a volunteer coach and his raggedy squad.  Bill Courtney, a white man who has succeeded in business sufficiently to dedicate himself to his passion, has given himself to the boys of Manassas High School for about six years, and he’s finally turned the perennial doormat team into genuine contenders.  With a college-bound superstar, an academic achiever who suffers a career-threatening injury, and a gifted hothead among the players, directors Daniel Lindsay and T. J. Martin have the stuff of gold on their hands, and they mine it tastefully, gracefully and movingly. Fox Tower

4) “Bully” and “The Interrupters” A pair of emotionally overwhelming documentaries about threads of violence in our social fabric.  “Bully” focuses on five or children who’ve been tormented and abused by schoolmates, two so relentlessly that they took their own lives.  It actually depicts the bullying and -- worse -- the ineffective response of school authorities.  At times, the pity, outrage and empathy it evokes threaten to drown you.  But there’s a hint of light, too.  “The Interrupters” is, incredibly, even more powerful.  It spends a year alongside a handful of former Chicago gang-bangers dedicated to quelling potentially violent incidents in their communities.  Intimate, terrifying, and real, it deflates you and gives you hope in turns.  “The Interrupters” plays Wednesday only at the Northwest Film Center. “Bully” plays a regular run at the Fox Tower.

5) “Jiro Dreams of Sushi”  Jiro Ono is the owner of a Tokyo sushi bar with 10 seats and 3 Michelin stars, and David Gelb’s gorgeous and intimate documentary about the man and his obsession gives you an idea of how that can not only be so but be fitting.  Jiro and his two sons (bound to the chef’s apron strings, almost literally) devote untold hours of work and thought to the perfection of sushi-making, turning a sometimes makework form of cookery into indisputably high art.  At 85, the old master still works virtually every day, and the fruit of his focus is in servings of raw fish and warm rice photographed so lusciously that you can almost taste them.  A mouthwatering film:  literally.  Hollywood Theatre, Living Room Theaters




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